The Aftermath - Part 2

Some days, it becomes too much to bear. How can we carry this vast grief inside us and not be overcome by it? Those are brutal days. Whatever this thing is, this living, writhing, evolving thing takes over every sense and we, her children, break apart. Why did she have to go? Why did this have to happen? Why couldn't we have more time? Inconsequential, useless, ridiculous questions -- I reflect in moments of collectedness -- but in the throes of this emotional downdraft, they become our combined focus: why, why, why, why. It's endless and dark and lonely, this strange motherless realm of our lives. 

Being a child of writers, I often try to contain it in my writing. I tell my friends, "I have so much to say about this." But the truth is, I haven't yet figured out how to morph this state of mind and body into words. I am unable to describe the exact feeling of falling I experience on a routine basis when I wake up from a dream in which she was with me. A perpetual free-fall. It's like cutting through a whirlpool of air, limbs heavy and resistant to movement, the body forgetting to breathe, forgetting to think, forgetting to even look for an anchor, remembering only this: no mama, no mama, no mama.

Who was this woman, my friend, my mother, who taught me so many lessons in her life, but strangely, even more lessons in her death? It is the most surreal and unnerving experience to realize that your mother in her death has taught you the fundamentals of love. To someone who is as jaded and pragmatic as me, there is an actual movement of resistance that is planned, developed, and implemented by the brain without the slightest hesitancy. But there it is, plain for anyone who cares to see. My mother in her life and in her death imparted only love. It will take me years and perhaps my whole life to fully understand the extent of her capacity to love, and similarly, her unexpressed need to be loved in return. We used to have long, deep, meaningful conversations. I was a friend to her, and she to me. I asked her probing questions. How did you feel when such and such happened? What was your physiological response? Did you cry? What was the dominant emotion? Why do you care so much for people? What do you look for in a person? She was forthcoming in her responses. Her answers: Deeply shaken and hurt; my heart sank; yes, buckets; a sense of betrayal; because I am made this way and I believe people are fundamentally good rather than bad; honesty. And yet, today I realize that maybe I didn't know her completely after all. Maybe I was asking the wrong questions. Maybe I was just peeling away at the surface, and she like always, was letting me have my way.

Where are you now when I have so many more questions, I whisper into the still, empty air. I drive over the Dumbarton bridge to and from work in a strange communion with all the other lonely travelers around me. Who knows about the sea of grief surging within each person's shallow chest? I feel we are all sharers of each other's private heartbreak as we snake our way across the bridge over the bay that has swelled with recent rains. I cry most freely in the car over this bridge, the water steely blue and tranquil under the grey portentous sky, cyclists in their neon vests and helmets whizzing by the rush hour traffic, and all these people, isolated like me, caught in the current of their thoughts.

The Dead Teach Us Lessons

I have a very distinct memory of my cousin playing a metal harmonica as a boy. My cousin who died as a nearly 35-year-old father of two is forever preserved for me as that hazel-eyed child, playing an almost-melody on his harmonica. The trouble is, I cannot figure out if that memory is real or constructed. Maybe I heard from someone that he played the instrument and imagined the melody. Maybe it was someone else who played the harmonica and I conjured my dead cousin in his place. Or maybe he really did carry a small silver harmonica with a green trim in his pocket to play it from time to time. I have not asked my sisters if they remember him with the instrument, because I am afraid to shatter this image of him -- healthy, slightly brooding, slouching in a corner of the room, playing a tune.

I have another memory of him, too -- returning from an afternoon expedition across the neighborhood having collected small, unripe mangoes in a makeshift bundle created out of a t-shirt. We sliced the mangoes, a few of us kids together in the cool kitchen with the ceiling fan whirring, and sprinkled chaat masala on them. Then we ate each piece and scrunched up our faces as the tartness of the fruit hit our tongues. I am unsure about this memory also. Maybe it was another cousin who went stealing fruit from our neighbors' gardens that year -- the one who is alive and well. 

There are a few memories of him that I am sure of, most of them, I'd rather forget. We argued over something and didn't talk to each other for years. If we saw each other in our old neighborhood or in the home of a relative, I looked away, I stayed silent, I changed the course of my walk to avoid him. We didn't even fight over anything significant. It was absurd, really, and yet we kept hanging on to the silence for so many long years. I kept hanging on to it. Perhaps I would have broken the silence when I saw him last, over a dozen years ago, if I knew I would never have the chance to say another word to him. I don't even remember the last time I saw him -- it was so completely ordinary. It was probably one of those many occasions when I did my routine of seeing him and averting my eyes, not acknowledging his presence. I get so angry with myself when I think about this. How selfish. How immature. How absolutely frustrating. 

I am overcome with regret when I think of him -- and yet to this day, my solution to end complication is to walk away from it and never look back. I have learned on many occasions that this is a highly unhealthy way of dealing with unsavory emotions. It is extremely hard, however, to break this defense mechanism. 

There are certain realities that no one can argue with. Realities that afford no uncertainties, no what-ifs. He is dead. I am alive. We didn't speak for many years. I didn't get a chance to reconcile, see him as a father, meet his family in his presence. He couldn't do the same for me either. It is comforting to remind myself of the starkness of these realities, so I learn to value the people around me while they are still alive and not douse myself with regret after they are gone forever. It is humbling. 

There is one memory of him that swims to the surface without any effort at all. It is one I am certain of. For a year, I attended the girls' section of the same school that he went to. I was five years old. He was nearly ten. On two occasions while I was attending that school, he came to me to see how I was doing, concerned, brotherly, but reserved in his manner, speaking little, listening more. And one time, on this bright Spring afternoon, as I was about to sit in the car after school, I felt a tap on my shoulder and turned around to see his grinning face. My uncle, also his uncle, who was there to pick me up wrapped him in a hug, ruffled his curly hair. I don't remember what he said, what any of us said. I just remember the three of us standing on the side of the road, smiling, just happy to see each other. What a lark! How wonderful! What a marvelous co-incidence! That's what you think when such meetings happen -- that is why you get so happy when something like this occurs unexpectedly. You feel elated. And a little awed. And I miss that moment. I miss him as a boy with that disarming grin. I miss myself encompassed by that small happiness. I miss my uncle, loving us, his nephew and niece. 

Grief and regret are so similar -- they never truly leave you alone. They dull and deepen, dull and deepen, on and on. And they are selfish. You hang on to them possessively, because they make you remember yourself as you were with the person who is no longer here. They are as much about you as the one who is absent. 


It would serve me well to remember this. 

Photos by Rebecca McCue